From real life sagas to sci-fi and experimental to sentimental dramas – Bollywood’s potpourri of hits offered a wide range of themes.
Films like “No One Killed Jessica”, “Ra.One” and ” Zindagi Na Milegi Dobara” not only satiated the moviegoer’s appetite but also yielded profits for the Hindi film industry.
1. “Bodyguard”: Salman Khan and Kareena Kapoor’s “Bodyguard” broke the opening day records by earning Rs.22 crore on the first day. Although the story of the film, directed by Siddique, didn’t have much to say, the music as well as the action sequences worked in its favour.
Salman’s signature dialogue – “Mujh par ek ehsaan karna ki mujh par koi ehsaan na karna” – once again struck a chord with fans.
2. “Ra.One”: World class VFX, amazing graphics, innovative marketing, tie-ups with multiple brands and Shah Rukh Khan as the superhero made sci-fi thriller “Ra.One” a profitable venture. Another highlight of the film was its music, especially the song “Chamak challo” sung by international rapper Akon. And the marathon promotion by the superstar helped bring people to the theatres.
3. “The Dirty Picture”: Her sensuous look shocked, her itsy-bitsy clothes astonished and her double meaning dialogues left audiences gasping for breath, but all this nothwithstanding, Vidya Balan swept both the classes and the masses off their feet with her bold avatar in Ekta Kapoor’s “The Dirty Picture”.
An unofficial biopic of southern sex symbol Silk Smitha, the film broke the myth that only movies with “Khans” work at the box office.
4. “Ready”: Romantic comedies have been a staple of Hindi films and this year Salman Khan’s “Ready” used the recipe to earn profits. Shot in exotic locales of Thailand, director Anees Bazmee’s drama about mistaken identity saw Salman romancing Asin Thottumkal amid all the hotch-potch in their lives, thanks to their onscreen relatives.
5. “Zindagi Na Milegi Dobara”: Focussing on three bachelors dealing with their friendship and romance, the well-scripted film, with a resemblance to real life episodes, was supported by beautiful performances by the talented cast – Hrtihik Roshan, Abhay Deol, Farhan Akhtar, with Kalki Koechlin and Katrina Kaif as their love interests.
Kudos to director Zoya Akhtar for bringing liveliness, happiness and joyfulness with such deftness on screen through an adventurous road film mostly based in Spain.
6. “Singham”: An out-and-out action film, the success of “Singham” proves that there are takers for such films. Based on the “good wins over evil” theme, the actioner takes a dig at the corruption within the police department through two main characters – honest cop Ajay Devgn and Prakash Raj as a corrupt politician. Director Rohit Shetty’s film also marked southern actress Kajal Aggarwal’s debut in Bollywood.
7. ” Rockstar”: Give him a good role and he can sink his teeth into it. Ranbir Kapoor proved that again by stepping into the shoes of a musician. From a cute and simple college boy to a crazy lover to a successful but cynical singer, the young actor proved his mettle in every frame. The film appealed despite a faulty script, which had too many loose ends. In short, it was Ranbir’s film, which launched American Pakistani model in the Bollywood business. Other high points of the movie were A.R. Rahman’s music and Mohit Chauhan’s singing.
8. “Mere Brother Ki Dulhan”: Not good, not bad – that is how Yash Raj Films’ “Mere Brother Ki Dulhan” could be described. Thanks to Imran Khan, Katrina Kaif and Pakistani singer-actor Ali Zaffar’s tangled love story woven against the backdrop a wedding, the romantic comedy managed to pull the crowds. The film got mixed reviews, but managed to enter the top grosser list of the year.
9. “Delhi Belly”: Replete with cuss words, weird situations, witty dialogues, the experimental movie in the English language targeted the urban audiences, who hailed this free will adult comedy as they identified with the characters of Imran Khan, Kunal Roy Kapoor and Vir Das in the movie. If director Abhinay Deo faced failure with “Game”, this film pulled him out of darkness and Aamir Khan once again proved that he has a knack for choosing the best scripts as a producer.
10. “Yamla Pagla Deewana”: After the 2007 release “Apne”, the Deol trio – Sunny, Bobby and Dharmendra – returned to the big screen with the comic caper “Yamla Pagla Deewana” by director Sameer Karnik. Though a small budget film, it received an overwhelming response. The impeccable comic timing between the father and sons struck a chord with the audiences.
Sridevi dies at 54 of cardiac arrest: India, Bollywood in shock
Sridevi no more, and a part of my childhood dies with her
Sridevi died on Saturday night after suffering a cardiac arrest at the age of 54. Called the first female superstar in India’s male-dominated film industry, she made over 260 films in a career spanning 45 years.
As a starry eyed schoolchild, I would spend hours trying to get the steps of Morni Baagan Maan right, in front of the mirror. As a girl, not even 7, I was too young to understand the complexity of the lyrics or the depth of the feeling that the Lamhe song held within it, but it was she, Sridevi, her fluid dance moves and the play of emotion in her face that had me entranced. I would try to turn just like Sridevi, get her hand mudras right. Again, it would take me years to understand there was nobody like Sridevi. The twinkle in her eye, the charm she could switch on as cameras turned towards her or the movie star charisma that was part of her personality — Sridevi lived what her Mr India song said, Bijli Girane Main Hoo Aayi.\
My experiments in front of the mirror were not extraordinary, nor were they one of a kind. Lakhs of children across India were trying to emulate Sridevi — for some (like me) it was her dance, for others it was the fact that she was a superstar when women rarely had the word super attached to them in any form in the industry. And for almost everybody, it was her ability to light up the frames she inhabited.
My romance with Sridevi began long before I understood how to tell good films from bad; at that age I either loved them or hated them. So, when, early on a Sunday morning, as I got up to incessant messages, tweets and Facebook posts full of grief, I went back to my childhood. It was a child again who was mourning the loss of her star.
Indeed, Sridevi’s death has taken away something crucial with it — a part of my childhood. Whether it was her act as a child-woman in Sadma, the luminous double role in Lamhe, the quintessential Yash Chopra heroine in Chandni or the bubbly Hawa Hawai of Mr India, Sridevi managed to bring a certain je na sais quoi to every role she played.
Among the yellowing photographs and fading memories is a photo of me with my friends with a fruit hat a la Sridevi in Hawa Hawai. Maybe it was a day during summer vacation when time hung heavy on our hands. But I remember how disastrous the first attempt with a straw hat and a bowl of fruit was. We were rescued when the friend’s mother emerged and gave us a tongue lashing that only mothers are capable of. Then, being a Sridevi fan (who isn’t?), she helped us fashion the hat.
Then came Madhuri Dixit, and the gaggle of girls divided into Team Madhuri and Team Sridevi. I was a staunch member of the latter and many a evening, we would spend in fraught debates on who was better. Sridevi had been around for decades. Starting as a child artiste at the age of 4, she had worked in Telugu, Malayalam and Kannada films before she decided to shift her focus to Bollywood. She was a star here as well. Madhuri, IMHO, was a novice.
There were chinks in her career but it was still 90s Bollywood and actresses — even the one called the first female superstar of Bollywood — had to take the good with the bad. The pulpy papers of those times were full of how the leading actors of those days would cower before her. They may or may not have been true but they fuelled my imagination as a fan.
She definitely left a stamp on my career. I believe that years of defending her against Madhuri fans (you know who you are) made me pick up the job of an entertainment reporter. I came across her on many occasions in my career and always found her a picture of grace and poise, standing out in the sea of beauty that is Hindi cinema.
And today, she is gone, in a moment that appears was written by an unfeeling screenwriter. Or maybe, it is the fan inside me who is not ready to say goodbye. Oh, what it would be to watch her once again in a dark theatre with the lights dimmed.
Sridevi made 264 films over 45 years, and while not all of them will stand the test of the time, her charisma will. I would remember her as the effervescent Chandni, the middle class mother in English Vinglish but mostly as Hawa Hawai — who wore fruit hats and solved crimes as an intrepid journalist.
The Great Sanjay Leela Does Disservice To Cinema With Propaganda And Dishonest Portrayal Of History In Padmavat
I saw the film more than a week back and I was flabbergasted and disgusted by what I had seen.
It wasn’t until my mentor and friend Promod Puri, the founder an former publisher-editor of Canada’s oldest South Asian English language newspaper The LINK, wrote his review online that I felt compelled to add to the debate about one of the worst forms of propaganda in a Bollywood film I’d ever seen.
The great Bollywood writer-director Sanjay Leela Bhansali has basically put himself in the gutter with this outrageous Rajput Hindu propaganda that glorified the individual suicide the Sati (mass suicide as in Padmavat called Jauhar).
Looking back at the Hooliganism and blockade of the film by extremist Hindu and Rajput groups – it seems like a conspiracy given that the film actually shows the Muslims as evil blood thirsty monsters and I’m not even talking about the actually monstrous Khilji played by Ranveer Singh.
It should be the Muslims who should be appalled and disgusted at the polar opposite portrayals of Muslims and Hindus. It’s the Muslims who should be protesting and saying the film should be banned!
Given that the film is produce by Viacom India which is now 51 percent owned by billionaire Mukesh Ambani, I think the “Show” if extremism might have been planned ahead so that Muslims in India don’t actually think the film is anti-Muslim which it clearly is.
Writer-Director Sanjay Leela Bhansali is a good if not great filmmaker but here he comes across as Hitler Propagandist filmmaker Leni Riefenstahl who made pro-German propaganda films during Adolf Hitler’s reign.
Films like Padmavat are extremely irresponsible at a time in India where there continues to be a divide among Hindus and Muslims in Modi’s India.
And the film is really laughable as it tries to reconstruct history from a Hindu perspective when in reality the great but blood thirsty madman Khilji defeated the Rajputs. And no matter how much the film may try to sugarcoat it, the Rajputs were no match for the brutal strength of Khilji at a time in human history when brutal and maniacal strength was the Warrior’s code.
Take the brutal rulers of Europe and Asia – they were no different than Khilji!
I lost a lot of respect for director Bhansali as it seemed like he was just a puppet pulling someone else’s strings with much dishonesty and disgrace!
Aamir Khan say there is no Intolerance in India, urges Modi to reign in people spreading hatred
Days after his intolerance remarks, Bollywood star Aamir Khan today said India is “very tolerant” but there are people who spread hatred and appealed to Prime Minister Narendra Modi to rein them in.
The actor also believes that he still continues to be country’s brand ambassador even though the government may have discontinued his services, saying India is his mother and not a brand.
“Our country is very tolerant, but there are people who spread ill-will…Those who speak of breaking up this vast country, such people are present in all religions, only Modiji can stop them. After all, Modiji is our PM, we have to tell him,” he told Rajat Sharma in his ‘Aap ki Adalat’ show on India TV, according to a press release issued by the channel.
Aamir said a sense of security comes from the justice system, which should ensure speedy justice, and from elected representatives who should raise their voice when something goes wrong.
“After all, law is equal for all, and nobody is above law. Unfortunately, there are some people who spread negativity and hatred. If I am not wrong, our Prime Minister has also expressed concern. His slogan is ‘sabka saath, sabka vikas’,” he said.
The actor, who hit headlines with his remarks that his wife was thinking of leaving India over growing intolerance, also replied to megastar Amitabh Bachchan’s remark that he damaged India’s brand identity by his statement, saying there was a feeling of insecurity due to growing intolerance.
“I had said in my interview that there was a sense of depression, a sense of despondency, a feeling of insecurity and intolerance was growing. But these are entirely two different things,” he said.
He added that he was “wongly quoted” and said, “I never said India was intolerant, I was wrongly quoted…To say about rising intolerance and to say India is intolerant are two different things.”
Claiming to continue serving as India’s brand ambassador even after government discontinued him, the superstar said, “For me, my motherland is my mother, it cannot be a brand. I can never view my mother as a brand. It could be a brand for other people, but not for me. Till this date, I continue to be India’s brand ambassador, even the government may have discontinued me.”
He said for 10 years he was brand ambassador for ‘Incredible India’s Atithi Devo Bhavo campaign’ and never charged a penny for all his public service campaigns for the country and nor will he charge in future.
Aamir also asked media and news channels not to air news about violence on TV as it creates an atmosphere of fear.
“Every Indian is infected with fear. I would also appeal to media not to highlight such violence, as it creates a sense of insecurity and fear among common people,” he said.
On his wife Kiran Rao expressing her intent to leave India due to insecurity, Aamir said he and his wife were not going anywhere and have been born here and will die in India, but said, “After all, Kiran is a mother, a mother always worries about her children.”
“Often we speak so many things among ourselves, but that does not mean, we take 100 per cent action on them. Now was that our intention. Kiran has actually expressed a feeling, an emotion, and we were born here, and we will die here. We are not going to leave our country, let me make it clear,”he said.
The superstar went on to say that whenever people try to divide, “we should become alert, and should beware as to why we are being reminded that we are Muslim, Hindu, or Sikh. After all, we are all Indians. We have to be on our quard.”
Seeking to clarify that there was intent on his or his director’s part on purportedly denigrating Hindu religion in his film ‘PK’, he said, “It was only a character playing the role of Shiva in a play, who was made fun of, in a particular situation. After all, Lord Shankar is Almighty, how can we dare to make fun of him?.”
The actor said he fully empathised with the cause of Kashmiri Pandits. “My heart cries even today for them. It is shameful, and I appeal to people living in the Valley to bring the Kashmiri Pandits back.”
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